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Signed,
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Limited Edition
prints of some original paintings
on this web site
are available for sale for
EURO 1,500.
The original painting(s) published on
this
page is(are) for sale.
Larger photographs are available upon request.
Since 2007, the minimum
price of a framed
painting
has
been
EURO 50,000~please use the prevailing
bank rate "of the day"
to calculate the
exchange rate~or e-mail for more information.
If interested in a purchase, or to obtain more
information,
please contact the artist: saku@isaacfalconer.com.
Commissions are sometimes (but not always) accepted
~at the artist's discretion.
Giving
Birth to a Dancing Star ©2009
Falconer/Gunasegaram
6¾" x 8¾" (17
x 22 cm) experimental photographic print [this IS the original piece]
"Dancing Star" is perfectly wonderful!
I look at it and think, You've moved into a new phase, or perhaps
discovered a new vocabulary. Funny, isn't it? that an English
professor doesn't himself have the terminology for your work. I
think that's good because it means that your work is original,
unclassifiable, beyond normal categories. "Dancing Star" seems to
me to have deeper colors, more passionate hues. And that strip
down the middle represents at least part of what I mean by your new
language. You've done one or two works before with words, but
this time you're elemental. When you're at your best--as you are
here--you express the deepest core of your personality. You
bypass the usual categories of thought and the usual languages of
painting to discover your own formulas of expression. I don't
think many artists, in any media whatsoever, ever do that. And I
also think that it's the holy grail of what artists have been reaching
for since the beginning of the Romantic movement. Each truly
exceptional artist finds her own singular "dancing star." Most
artists never manage to make the long journey to the star. It's a
deep, indwelling source of inspiration that you seem to be able to
tap. I can see why it took you a long time. The work had to
grow until it was ready for birth.
At least this is how I understand the whole process.
Your work really presents the viewer with forces that aren't easy to
confront. I don't mean that your paintings are frightening.
But they're a little like looking into the sun. There's nothing
quite like them.
~Jerry
Masinton, Emeritus Professor of English, Lawrence, KS, USA